Oops!

Back in March I put a fine dark teal wool warp in an overshot pattern on the 4 shaft loom for 3 scarves.  The first one

went to the Geelong Scarf Festival, the second had a delicate overshot in matching Tencel

and I started the third in the waves pattern in 3 related shades of reeled silk.  Then I did most of the plain weave centre section and stopped so that I could work on the 8 shaft loom for the Sheep Show.

This week I came back to the dark teal warp, did a little more plain weave, and with the pattern section at the bottom

completely hidden, started work on the pattern section at the other end.  I was very careful to make sure that the waves had their peaks and troughs in the right place.  Imagine my surprise when I took it off the loom a couple of days ago and the second end looked like this.

While I had looked at the draft to get the peaks up the right way, and even undid the first few picks because they were the wrong way, I didn’t notice that I’d used more than one pick of each row at the other end.

I guess I could call it a design feature but it would just annoy me, knowing that it was not what I’d planned.  Of course if I can take digital photos to use here, I could also take photos to record work I've part finished, especially when I know that I won't be returning to it for a while.  Fortunately,this morning I had a flash of inspiration – for a nice dark teal bag with different feature silk overshot panels on each side, a frame of dark teal wool, probably quilted, and with a matching handle and a bit of bling somewhere – that should be a better use for the fabric than making it into a scarf I would never wear.  Just need to find the time to play with it.

And for something completely different, I decided to try weaving chenille for a cowl.  I got it threaded and tied on last night and have started weaving. 

So far so good or maybe it’s just that the furry surface feels warm in this cold weather.  With luck it will be finished in time for the Hawthorn Craft Market on Sunday

Helen

Sheep Show 2015

I spent last Sunday at the Sheep Show.  I left home very early on what turned out to be the coldest day in 18 years and here’s the frost and fog just over my back fence to prove it.

I had planned to meet a couple of weaving friends there which may explain why there was much talking but not much photography.  The only photos were the ones I took during the parade, so here are a few highlights.

A couple of felted garments, great garments but unfortunately I can't remember who made them

A lovely tabard from my fellow weavers - Members of Black Pearl

An entry from the students at Genazzano College who were inspired by the ANZAC Day centennial with poppies on a khaki background

And my jacket, looking good on someone who is tall and slim, unlike the intended wearer.

Though I probably won’t wear it with a very short skirt and bare legs

The jacket was woven in 6 shaft turned boulevard weave, with the last meter woven in plain weave for the facings, button, cuffs and pocket detail.  The yarns were 2/22 weight wool from my stash.  I was happy with the selection of colours I had.  Most were machine washable, a few were not so I dyed some machine washable yarn in the colours I wanted.  The fabric of course did not shrink or full at all so I backed it with the lightest iron on interfacing I could find and after that it behaved almost like store bought fabric.There were a few places where there were multiple thicknesses of fabric and it wasn't as smooth as I wanted. Then I remembered that I had a tailor's clapper in the cupboard.  

I don't think I had ever used it but with plenty of steam and vigorous clapping the lumpy areas flattened very nicely, just as they were meant to. 

We went to the showgrounds dining room for lunch.  The Sheep show is one of the few places where the lamb served at lunch is breed specific.   On the menu were not just any lamb pies but Dorper lamb pies.  They had obviously come from a local bakery and were just glowing in the food cabinet.  We couldn’t resist and not only that, they were served with 5 vegetables, nothing like a hearty country lunch. No pictures of the food either, too busy eating it!

And here’s the obligatory Bendigo stash picture, some bought, some won, some gifted, everything from knitting markers and snail biscuit cutters to wool detergent and everything in between.

A good day all round.

I’ve started spinning, not sure what moved me to do it though it might have been a perusal of the spinning fibre stash before I went to Bendigo.  I’ve finished a braid of Angel Bunny – angora bunny, cashmere, blue faced Leicester and Tencel -  from Charly, colours ranging from silver to indigo.  I’m very happy with the yarn, beautifully soft and after trying 2 knitting patterns, then 2 crochet ones, I finally think I’ve found the right one

It’s still winter here and while I realise that people who live in places where it snows regularly would consider it to be quite mild, it wasn’t mild enough when my heater failed during the week.  The control panel looked fine, the outdoor heating unit felt warm but I noticed that it had tilted a bit away from the house.  Fortunately I was able to get someone to look at it the next day and when it had tilted, the duct from the heating unit had parted company with the rest of the duct work.  Sure enough everything was working OK but the hot air was all under the house instead of inside it.  There was an emergency duct transplant, secured I was pleased to see by duct tape, the unit was returned to its usual, vertical position with the help of a couple of pavers and everything is back to normal and Winter is more than half over

Helen

One out of two is OK

It’s easy to have delusions about the time needed and available to complete projects.

I was sure that I had plenty of time to complete a ‘hand woven article’ – HWA - and a ‘hand woven garment’ – HWG - before the Bendigo Sheep and Wool Show so entered both.

As usual, life intervened in the form of full time work to say nothing of the very early arrival of winter, making weaving at night in the garage particularly uninviting.

At the week end sanity prevailed. The HWG was well under way but the HWA was struggling – fine wool yarn, double weave, breaking ends, weird things happening in the layer I couldn’t see and unevenly hand dyed yarn producing a lot of unplanned stripes.  I realised that I had at least 16 hours of work to do but only 11 hours of spare time available so I made the sensible decision, took my time to finish the HWG properly and it was delivered with at least an hour to spare. 

About this time I read Tien’s blog and could really relate when she talked about ‘the gap between what your mind can envision and what your hands can create’

The HWA was nowhere near what I had envisaged.  I had made a sample scarf in the same design and yarn without any dramas but on the table loom.  I thought it would be easier to weave on the floor loom and it was as there were only 4 different picks.  Maybe the floor loom was the problem, putting more stress on the fine yarns.  I will sort out the HWA when the weather is a little warmer.  There are 2 scarves on the loom, the first one will be sample 2, I think the second one may work with a different weft yarn – or might turn out to be sample 3.

Other things have been more successful.  Before I could start weaving for Bendigo, I finished the rainbow painted Tencel which had been on the loom for far too long. 

I've ended up with a panel to put in a garment and 2 scarves, all in variations of plaited twill. Here it is in all its rainbow goodness and I've even managed to capture the sheen of the Tencel in some of the photos.

And I just looked at the Woolcraft catalogue – the HWG, now properly identified as a jacket, has been placed first in its section.  Here are a couple of progress shots, I always roll my hand woven fabrics on to a cardboard roll before I cut them out, that way I can almost convince myself that they are 'store bought' and that cutting into them will be easy.

More about that and the Sheep Show next time

Helen

Just because I can

Last year when I went to the Sheep Show, the heel kept falling off my boot and I had to stamp on it, very hard, to get it back in place so it didn’t slow down my looking and shopping.  I didn’t get round to replacing the boots last year but when they went on sale in the local shop recently, I just knew these would be a really good replacement.  And they are, comfortable, good fit, warm, non-slip soles, everything I wanted except they came with very thin and mean laces.  I knew I could fix the problem so here are my new boots with their kumihimo strawberry laces – just because I can. 

It's not easy to photograph shoe laces but they really do have strawberries on them.  See Alison Irwin’s article in Handwoven May/June 1999 if your boots too need more interesting laces.

I sent my scarves off to the Geelong Scarf Festival:

One in plain weave from a recycled silk shirt - 

One in huck lace in Cool wool

One in overshot from a hand dyed blank knitted on an Addi Knitting machine, looking something like waves as the theme was ‘Coastlines’

And one from the navy and silver herringbone unisex/mens series I did last year.  It received a Highly Commended in the Menswear category – I guess that goes some way to answering the ‘what is a man’s scarf’ question? 

It’s almost time for the Bendigo Sheep Show – that means the entries are in, the yarns are dyed, the warps are made - thank goodness last Monday was a public holiday - and now there’s just the weaving and sewing to do.  Probably time to start weaving rather than just writing about it

Helen

In which I finally admit that wise weavers use choke ties

Have finally got back to the blog, fortunately no major dramas to account for the silence, just busy with life, work and having more fun weaving rather than writing about it.

I mainly weave with fine wools and 8/2 unmercerised cotton.  These are not particularly slippery yarns and I have not had any trouble winding even long warps up to 15 metres on my warping mill, so tend not to use choke ties.  Last time I was at the local yarn shop I spied a cone of a fine Italian rayon ribbon knitting yarn.  Although I didn’t have a firm plan for it, the colour – somewhere between red and coral with a great rayon shine – spoke to me and of course it followed me home.

I used some in some black scarves with a supplementary warp.  The red was the first and looks great but I didn’t really think the project through and the red accent yarns were not secured well enough and if caught behave like threads for smocking or woven shibori.

I guess that’s one for my scarf collection but for the next 2 I used less slippery handspun yarns, and secured them much better.

About this time I realised my stock of glasses cases was getting low so decided to use the rest of the red yarn to top up the stock.  I thought that the shiny red rayon would contrast well in colour and texture with some black chenille in the stash and I started to wind the warp.  The rayon yarn was much heavier than the yarns I normally use and very slippery but I didn’t think about choke ties.  As I started to take it off the warping mill it mostly fell down under its own weight and was not helped by getting the guide string mixed in with it.  It was one of those ‘it’s just yarn’ moments but I knew that there had only been one cone at the yarn shop so I persevered.  In the end I wound it on to the warp beam, then on to the front beam and back on to the back beam, working out the mess as I went. 

Fortunately the crosses were well secured and even though it looked bad in the process, definitely worse than in this photo,

I eventually (after working on it for a whole day) managed to get it on with reasonable tension as this picture of the very end of the warp shows. 

The end result was just what I had planned so I was glad I didn’t give in to the ‘it’s just yarn’ moment but know that I really do need to use choke ties for any yarns like the red rayon.

I’ve also been busy making some scarves for the scarf festival in Geelong later in the year.  They need to be in Geelong by Friday but I posted them tonight so I had a day to spare, I'm not always so efficient

Helen 

Just a little bit obsessive

Last post I said I was having a clear out of excess paper and I’m pleased to report that I finished the shredding, cleaned up almost every last piece of shredded paper, a few are still appearing, and sorted my back issues of Handwoven so they now have their very own book shelf.  It might look obsessive but it’s really good to be able to put my hand on the issue of Handwoven I want.  There are still a few missing, hiding in various piles of books around the house but they will turn up eventually and be restored to their rightful place.

My warping mill is having a holiday with weaving friend W who wound half a warp, ran out of yarn and is waiting for the rest in a parcel that the post office has misplaced.  Rather than disturb the part wound warp, I have been working my way through the warps lurking at the back of the cupboard.  They’re the ones where inspiration hits, a warp is wound, more inspiration hits, another warp is wound and somehow makes its way on to the loom ahead of the already wound warps.  I’m sure I’m not the only weaver with this problem.

So far I’ve found and woven a dyed cotton warp for glasses cases, they might look finished but still need to be lined.

The painted tencel warp which was on my loom on January 1 is now finished, I'm very happy with the result but frustrated that I can’t seem to capture the sheen of the tencel in any of the photos.

I also found a wool warp, originally planned as men’s scarves about 6 years ago.  On closer inspection it’s really a bit heavy for scarves but I think it has potential for covers for bolster cushions so that’s the current plan and it’s now on the 4 shaft floor loom in a straightforward if somewhat muted, log cabin.

There has even been some progress on the 8 shaft loom, not sure why it’s been sitting there for so long as it’s very simple weaving, simply treadles 1 through to 10 following each other.  The stripes are 5 shaft satin so this is the wrong side and this right side is still hiding under the beam but it’s progress.

Even though it’s the middle of Summer, the weather hasn’t been really hot so I hope to get a some more done while the good weaving weather holds.  There are plenty of warps in the cupboard and if I happen to need to refer to Handwoven that’s not a problem

Helen

Looms Day 2015

Here's my contribution to Meg's Day in the Life of Looms 2015.  So what’s happening with my looms today? Some good, some not so good and some just plain embarrassing.

The good is a painted Tencel warp in a 4 shaft twill variation,on Rasma, my 4 shaft direct tie up Druva loom from the mid 1970s.  It looks a lot like the US Dorset looms, I suspect a common ancestor somewhere.

The warp is a scarf length in blues. greens and aquas, just my sort of colours.  I had to try a few wefts before I found one which worked.  The Ming Tencel was just too ‘Ming’, the Caribbean 10/2 cotton was probably better left in the Caribbean despite being close to the warp colours but, like Goldilocks and the 3 bears, the Greyed Teal Tencel was ‘just right’.

It was different enough from the warp to show up but close enough to blend the colours together.  I can’t wait to finish it.

The 8 shaft Toika Lisa, also from the 1970s and known as Iris after the previous owner, looks as though it is tied up and ready to go – it is, and has been like this since early October. 

It’s the second half of the merino/silk/cashmere warp I wrote about here.  Nothing like having to photograph your loom to bring on a bout of studio tidying so it’s all clean and tidy out in the garage and no excuses for not finishing this warp apart from that Tencel warp which just keeps calling.

My 8 shaft Noble table loom, probably from the 1980s, is naked but this isn’t really an issue.  I use it mostly for workshops and for projects where I need more treadles than I have on the floor loom.  None of that is happening at the moment so it’s just waiting its turn.

And the plain embarrassing – in 2010 we had Jason Collingwood come and teach a rug weaving workshop at our guild.  I dusted off my very first loom, a 4 shaft table loom purchased well used when the guild moved premises in 1985, and did the workshop. 

I confess the warp is still on the loom and I still haven’t finished it.

Do I sense a New Year’s resolution here?

Happy New Year, Happy Looms Day - may your weaving this year be everything you expected

Helen